"DAOKO" anima "Release Talk & Live" @SUPER DOMMUNE tuned by au5G [Report]

Report

"DAOKO 4th ALBUM" anima "Release Talk & Live"
The world of DAOKO's poetry and sound that is augmented reality by avant-garde technology

The world-renowned live streaming channel "DOMMUNE" and au 5G (KDDI) have become partners, and it will be delivered this month from the 5G era distribution studio "SUPER DOMMUNE tuned by au 5G" that utilizes the open cutting-edge technology, and it has become a big topic. "DAOKO 4th ALBUM" anima "Release Talk & Live" with artist DAOKO will be held on June 24th as the second event following "Augmented Reality Live by AR" and AR LIVE "INVISIBILITY" with FISHMANS. It was held on Wednesday and was watched by about 70,000 people from all over the world.

This event commemorates the release of DAOKO's 4th album "anima", which was released for the first time in about a year and a half on the day, and a talk by DAOKO and sound producer Akito Katayose will also be delivered. In the talk, the secret story of the album production is told, such as creating a demo by himself, visiting Katayose and talking about the production, and explaining the recorded songs, listening to each word for fans. There is no doubt that it was an interesting content that cannot be missed.

In addition to the 5 songs from the latest album "anima", "Otogino Machi", "Ocharaketayo", "sorry sorry", "Strawberry Moon", and "I want to go home!" DAOKO performed all 6 songs including "Cinderella step".

As with the previous live with FISHMANS, there is no doubt that the AR production that expands the reality caught the eyes of the fans who watched the distribution, but in this "Augmented Reality Live by AR", the last time was AR. In contrast to the lively production that emphasized improvisation, the origin of "animation" in the world of DAOKO's poetry and sound with the most avant-garde technology, as the album title means "life" and "soul" in Latin. However, it was impressive that it was characterized by a carefully constructed augmented space that expanded the reality by injecting "ANIMA".

Such an AR production was first performed in the first song "Otogino Machi", but this production is reminiscent of the MV of the same song by Helmipe, and the distribution screen has a graphic by AR. There is no doubt that it was the moment when AR's virtual space technology was utilized that the real live image and the world view of the MV were fused in a cross-reality manner by adding. In particular, the AR graphics that were inserted as an effect at the breaks in the sound, such as the chorus part that started with "Stepping back to step it up," attracted praise from many fans.

In the fifth song "Cinderella step", which was followed by an AR production, I was fascinated by the AR production that linked to the lyrics. For example, I drew a production where bubbles spread in the live space according to the lyrics "Abeck of foam" and a "pale world" where marbles fall according to the excitement of the rust that starts with "Dancing you want to escape". Many fans would have been fascinated by the production.

Furthermore, in the latter half, the space changes from the surface of the sea to the sea, and the disappearing bubbles are immersive in the world view of the songs sung by DAOKO, and each fan watching while linking with the ephemeral lyrics. It was as if to revive the sentimental memories and scenes in my heart.

And in the sixth song "I want to go home!", Which marked the end of the live, the three-dimensional night cityscape was reproduced by the AR production of the dot picture style reminiscent of a retro game, and the shake of the dot picture according to the rap. , In addition to the hamburger, an abstract image was also reproduced. Furthermore, along with the lyrics "Return quickly" that are repeated in the chorus, the world view of the song is visually conveyed, such as the DAOKO image by the three-dimensional Dodd picture that appeared and the night cityscape reproduced in AR at the end of the song. It has become a thing, and I was fascinated by the AR production that disappears ephemeral as if leaving a lingering sound, as the lyrics say, "Let's meet again."

This live show shows the possibility of AR performance that expands to the real world by utilizing the world view of poetry and sound for cutting-edge technology as well as improvisational production. "SUPER DOMMUNE tuned by au5G" will continue to partner with various artists and the music industry to deliver non-standard entertainment.

Staff credit

LIVE organization:
DAOKO (Vo)
Shohei Ashimori (key, Arrangement)
Seiichi Nagai (Gt)
Shuta Nishida (Gt)
Masato Suzuki (Ba) LITTLE CREATURES
Kazuya Oi (Dr) yahyel, DATS
Toyoaki Mishima (Manipulator)
Akito Katayose (Sound Producer) GREAT3

LIVE STREAMING organization:
Naohiro Ukawa (Streaming Director) DOMMUNE
Osamu Mizuta (Technical Director) KDDI
stu (AR Production)
Yuichiro Saeki (VJ)
huez (Lighting)

Album information

DAOKO 4th ALBUM "anima"
https://TF.lnk.to/anima